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Then I heard the stories about Haggard's distain towards those he referred to as "filthy, long-haired hippies." Roger McGuinn and Gram Parsons wanted him to produce Sweetheart of the Rodeo; he refused. Others asked him to sing on their records, join a tour, but Merle ignored the young upstarts.
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New York City May 1970, about 200 construction workers attacked students protesting the Kent State shootings. Dubbed, the Hard Hat Riot, Nixon's Silent Majority, touted them as heroes. I experienced the same during many demonstrations. Spit, bottles, cans, assorted detritus were hurled in my direction. An Us vs. Them mentality ensued. I placed Merle Haggard in the Them camp.
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between country and rock blurred. Music transcended political and sociological ideologies on both sides.
Unfortunately, hate and intolerance seem endemic to mankind. Today the same schism rears its ugly head. The terms liberal and conservative have replaced straights and freaks, but the animosity and prejudice remain the same. Hopefully, music will blur our partisan principles and one day we can join hands and sing Kumbaya, or at least Momma Tried. As ever - BB
"Take me away and turn back the years. Sing me back home before I die." Merle Haggard, Sing Me Back Home